The Five Best Reverb Pedals for Violin

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From wild to mild, you can produce any sound that you can imagine from an electric violin. If you want to warm up your tone or sound more like a guitar player, there’s a reverb pedal that will give you the sound you’re desiring. Many electric violins effects can also work with acoustic instruments that are equipped with a pickup.

Using a reverb pedal on your violin allows you to change your sound to feel like you’re playing in any kind of space. For instance, you could easily set your reverb pedal to sound as though you were playing in an empty concert hall or a spacious room – whichever you like best.

Good reverb pedals allow you to control the essential parameters, including the time before the first reflection returns, number of reflections, and the complexity of each reflection.

Why Use a Reverb Pedal?

Reverb pedals are probably the most crucial thing to improving that quality of your bypass pickup tone from your violin. While violins naturally resonate when a note is in perfect tune, the tone of an electric violin are typically dry when the sound is going directly into the PA system or amp. The reverb pedal adds a little more resonance and depth to your tone, which makes it sound warmer and add a natural resonance to it.

Reverb Parameters

With the reverb pedals that are available today, it’s possible for you to duplicate the classic reverbs. All reverb effects that a pedal might have you need to consider that fact that it all boils down to a couple of parameters:

The effect ratio signifies the change in volume between the natural sound (dry), the reflected sound (wet), and the direct sound. No matter how much reverb is being used, a bigger mix of wet to dry sound will make it sound as though the instrument is farther away from the listener, while the opposite of this would make the drier sound would make the instrument sound closer.

The reverberation time (delay time) is the time that it takes for the reflected sound to fall off to the point where no one can hear it. This is typically around 60 decibels lower than the originating sound. This time frame will tell you how large the stimulated room is – a shorter decay time means that you’re creating a smaller room.

The pre-delay time is the time between the start of the direct signal and the start of the wet signal. It shows how much space is between the listener, the reflective surface, and the instrument.

When you consider that sound moves just under one foot per millisecond, then a 400 millisecond pre-delay would indicate that the listener and the instrument are in the center of a 200’ x 200’ room, since it’s the same amount as the time it takes for the sound to travel the 200 feet, bounce off the reflective surface, and head back to the speaker.

Finally, we take a look at the tone. Tone works with relatively low-energy high frequencies that are often absorbed by the environment much faster than the low-end, so it makes the effect sound warmer and darker than the instrument itself. Great reverb pedals have a tone control so that you can create an accurate tone effect.

When all of these parameters are put together, the tone, decay time, pre-decay time, and the effect ratio can stimulate any sized room and make the sound of the instrument be anywhere in that room.

The Five Best Reverb Pedal for Violin Reviews

Zoom G2.1u

The Zoom G2.1u is an all-metal casing reverb pedal that works for the violin. It features 16 amp models that will faithfully accurate to the original amplifiers in every nuance, harmonic, and chest cracking power chord. It features a 32-bit processor with means that you’ll get great analog sound performance without any background hissing sounds, plus you’ll get fast patch change, so you don’t have to guess when to switch between the presets.

This pedal also has two algorithms built into it, one for recording music and one for playing live music. With this pedal, you’ll be able to bring the sounds that you created in practice, in the studio, or rehearsal and bring them directly to the stage or recording studio.

  • 54 effect types
  • Nine effect modules
  • Match memory: user 40, presets 40, total 80
  • The pedal switches through patches easily and instantly
  • You have to read through the manual a couple of times to get the hang of this pedal

Electro Harmonix Oceans 11

The Electro Harmonix Oceans 11 is a multi-reverb pedal that features an excellent spring reverb emulation. This pedal might not be as customizable or realistic as other reverb pedals, but it does have a great spring reverb “drip” and “trail” sounds that make your music unique. Overall, the spring emulation of this pedal is much more authentic than any other reverb pedal.

  • Great sounds
  • Extremely versatile
  • Feature-rich
  • Small enclosure
  • Affordable
  • Doesn’t come with a preset function

Boss ME-50

The Boss ME-50 comes in a metal housing, which is about the size of three or four pedals put together. The build is designed to be durable and sturdy so it can withstand just about anything. This pedal has three stomp pedals and one expression pedal on the top of the pedal which you control with your foot.

This unit can be powered using a Boss PSA-120 power supply (which is not included) or six AA batteries. There are six effects to choose from on this pedal, including expression, tone modify, overdrive/distortion, compressor, volume pedal, noise suppressor, delay and reverb, and modulation. The tone modify effect changes the characteristics of the connected instrument.

  • Intuitive interface
  • Solid build
  • Very convincing effects
  • Long battery life
  • Ability to play without a power source
  • A millisecond of silence when you change between presets
  • No midi
  • No dedicated eq
  • Patch memory can be small for some users
  • No power supply cord is included with this pedal

Boss ME-70

The Boss ME-70 is a reliable, high quality, and great sounding multi-effects pedal, which is something most musicians want. This pedal is the perfect balance between the small design of the ME-25 and the colossal sound building options of the ME-80.

It has a very compact size compared to other models and has quite a few features to work with. This pedal is the perfect gigging multi-effects pedal because it runs on batteries or a power supply (not included with the pedal). The pedal is designed to be sturdy and solid and is made out of metal which can excellent rough treatment and is stepped on in many ways.

  • Amazing sound quality
  • Easy to use and edit patches
  • Rugged, durable design
  • The expression pedal is limited
  • Cannot use more than one modulation effect at one time
  • Does not come with the power adapter

LR Baggs Align Reverb Pedal

The minimalist look of this pedal means that besides the volume and bypass footswitch, the only controls are decay (the length of the reverb) and the reverb (the amount of effect being added to your sound), and tone. The reverb is introduced as side-chain, which means that the original dry signal passes through the unit untouched, and the reverb control simply controls how much reverb ends up added to the mix. The tone control affects only the tone of the reverb itself.

Unlike many other reverb pedals, this pedal is designed to be mono-only, with no stereo outputs. The minimalist look of the LR Baggs Align Reverb also means that there are fewer functions and features than other pedals – it only focuses on a simple, fairly dense, and rich-sounding reverb with only a little bit of modulation.

  • Creates a very natural sound
  • Very dynamic in tonal range
  • Best used for acoustic instruments
  • Very simple design
  • The few features and functions that are on this pedal are more than enough to make beautiful musical sounds
  • There are no cons for this pedal

With all of this in mind, hopefully, you can now figure out which reverb pedal is best for your violin and your music style. Remember that reverb pedals can completely change your music, so why not try one out?